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Tuesday, August 3, 2010

Getting Emotional

Hayley contacted me months ago while I was still working on the Disney film in southern Utah. We finally worked out a schedule to where we could take a few hours during mid-day and head out and shoot.
When I asked her what concepts she was interested in, she made mention of shooting something with emotion. I knew this would be a fun concept since it could potentially give us more latitude than setting up your typical glamor or fashion motif.

While being a Strobist has its perks and advantages, it also has its problems, one of them overpowering the sun in the middle of the day. We were shooting close to noon, and the sun was directly overhead and not a cloud was to be seen in the sky.... So our options were to shoot in some open shade or find some dark, sun-less areas where I would be free to sculpt and create my own light with my speedlights.

We traveled a short distance from the homestead to a pedestrian tunnel that runs under a bridge and went to work. Each frame was captured with the concept of conveying an emotion. I gave Hayley no coaching and told her to simply "feel" what she wanted to convey, which was mostly dark and dreary moods and emotions. This went well with the dark tunnel and the final images are some of my personal favorites of this year's sets.

NOTE: All images were shot with a single speed light coupled to a Beauty Dish.

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